Forced to live in institutions, group homes, and nursing homes.Throughout history, many people with ID have been: These choices sometimes hurt people with ID. Nondisabled people make choices for them.
#Lazy storywriting how to#
Even when the conversation is about them.įor example, many people think people with ID don’t understand how to make choices for themselves. These groups of people get left out of the conversation a lot.
This, on top of discriminatory attitudes and stigma, has led to infantilization, institutionalization and eugenic sterilization. For example, throughout much of US history, people with ID have had decisions made on their behalf based on the presumption that they do not and cannot understand. People with disabilities are also often excluded from writing or sharing their own stories first-hand due to lower vocabulary skills, learning differences, and intellectual disabilities. My promise is to deliver to you a thoughtful and short email no more than once per week.These audiences are routinely excluded from public dialogues, including dialogues about themselves. I’d love it if you were to subscribe to my once-weekly newsletter - Woolgathering. Keep writing your one sentence paragraphs. When you write responsibly, with care and concern for the craft and for your readers, your writing gains real power. With great responsibility comes great power. They say that with great power comes great responsibility, but the converse holds true as well. Writers need to respect the dual nature of writing, and take care to balance them. But words and sentences also attempt to convey meaning they are a vehicle for expression and revelation. Words and sentences can be beautiful and awesome in and of themselves - like art. Writing is a balance between an art form and a means to an end.
They should be broken for a particular purpose, but when they’re broken constantly, the purpose starts to get called into question. None of these deviations from writing norms should be used just for the purpose of looking edgy. Yes, one sentence paragraphs, one word sentences, and fragments all have their place every once and a while. It’s like deciding to take the “shortcut” road, only to find that it’s a winding back-road that gets you lost and wastes a bunch of time. Tossing a bunch of one-sentence paragraphs at the readers is almost as bad as presenting them with long, meandering, circular sentences. You are taking people somewhere, and they should never have to question if you’re lost, or whether you know where you’re going. As such, you’re the navigator, you’re the tour guide, you’re the pilot. People who read your stuff are passengers in your vehicle.
#Lazy storywriting driver#
It’s the same responsibility that you have when you’re the driver of a car, and you have a passenger. I present that analogy because writers have a responsibility. One house and a bar is generally not a town one sentence is generally not a paragraph. The same thing should hold true for the paragraphs you’re writing. The houses, restaurants, churches, and gas stations are generally grouped together. For the most part, you can tell when you’ve entered and left each one. Paragraphs are like the towns you pass through. Writing is like driving across a state on a main highway. They think it makes their piece easier to read for those who might be on the fence about it. I think that many of the writers believe that such a scheme makes each sentence more powerful. I see a lot of writing these days that consists of one sentence paragraphs. But there is a difference between simple writing and resorting to cheap shortcuts to make writing appear simple. To write clearly, writers should strive to write as simply as possible.
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